Do the Kletsel

Greg Kletsel

Over the weekend, I spent some time perusing the wares of various artists at MoCCA Fest, an event sponsored by the Museum of Comic and Cartoon Art. Not surprisingly, the venue was packed with zines, comics, and random illustrations exploring inner and outer angst, explicit euphoria, and untold mirth. These events are always great for designers, because the strongest work leverages a designers toolbox: good type, smart color choices, and a little restraint. I also saw the latest work by Greg Kletsel, a Brooklyn-based designer and independent illustrator. Greg’s got a great web site and tumblr, which everyone should check out. Do the Kletsel.

Craig & Karl

Love by Craig & Karl

Recently, after picking up Vectorism by Victionary (you heard me correctly), I started to fall in love with the work of Craig & Karl. You’ve probably seen their portraits floating around the world wide web. Craig & Karl combine whimsy with unique and bold illustration to create wonderful art. Well worth a look.

Unjustified

Unjustified

Paula Scher recently wrote a scathing review of AIGA’s newest design competition, Justified. It’s an important read for any designer who cares about this divide. In response to a discussion at work, I summed up the article.

  1. The AIGA has eliminated other, worthy design competitions and replaced them with Justified, a competition that introduces the idea of effectiveness.
  2. In the past, competitions like 50 Books/50 Covers surfaced valuable works of design, which inform our understanding of the profession. Furthermore, without these competitions, important works would have floundered in anonymity.
  3. Past competitions, like 50 Books/50 Covers, linked AIGA’s present with its past, and in many ways, kept that heritage alive.
  4. Although awards were often given to small projects, like professional promotions, these projects inspired young designers and the industry at large, encouraging innovation.
  5. Justified replaces these competitions and introduces “effectiveness” as an important criteria.
  6. Effectiveness is a bad criteria for the following reasons: effectiveness is hard to measure. (And, clients don’t care.); effective work doesn’t break new ground; it encourages replication, instead of innovation; by placing a stake in the ground, the AIGA is anti-innovation and anti-creative. For shame…

Paula goes on for a bit, and I am sure that I have missed something. However, these seemed like the salient points. If I was to engage her in a conversation, I might offer the following:

Graphic design, like every profession, is evolving. We want a seat at the table, like every profession. We want our creativity to be acknowledged, as well as our impact. Frankly, and I think everyone in the community agrees, we want to remain relevant and be paid for our work. Every profession is grappling with these issues. They aren’t germane to graphic design. Accountants are fighting for relevance. Marketeers are fighting for relevance. And, on and on.

We don’t need competitions to surface great work. We live in a digital age. Great work is emerging every day. This work comes from all over the world, and it is elevated by the global community. I don’t know if Justified, as a competition, will work. Personally, I’ve always been baffled by design competitions. In a digital age, they might be irrelevant. And, that’s fine.

The AIGA, to remain relevant, is trying to define new criteria for the profession. If we want to measure impact, we need to define the criteria. In order to represent its constituents, the AIGA is trying to lead this movement. Are the current criteria correct? Probably not. But, effort matters. Through this effort, the AIGA will learn and evolve. If they don’t define the criteria on our terms, someone else will, and the criteria will not be in our best interest.

In our search for relevance, we must always seek balance.We see it every day. A business loses sight of what matters, and it falls apart. The AIGA is no different. It must strive for balance. The AIGA needs to engage the heart and mind. And perhaps, that’s what I hear in Paula’s note. She is losing heart. If the AIGA ignores her, it does so at its own peril.

If the AIGA is smart, it will seek that balance. It will keep its community in focus. It will convene difference to create strength. It will measure success in new and bold ways, bringing its members along on the journey. And, it will never lose sight of what matters.

Jiro Bevis

Jiro Bevis

I came across the work of Jiro Bevis on QBN. There is something refreshing about his style that I can’t put my finger on. It has an R. Crumb meets the Internet feel.

Art of the Title

Brazil

If you are looking for type inspiration, look no further than the collected wisdom of Hollywood. (Well, that might be a little strong.) But, every film is a brand, and in many cases, studios have invested heavily in the creation of unique typefaces and treatments for films. Historically, it amounts to one of the largest collections of type, and because screens have evolved, like the presses on which we print, the historical record of these faces is also a historical record of technical advancement. Christian Annyas has amassed a large gallery of these works, which includes trailer titles and end titles. Steven Hill also has a nice collection of title screens. Finally, I would also recommend The Art of the Title Sequence, which looks at the art and design of title sequences.

Memories of an Escapist

Nando Costa Prints Header

Nando Costa has produced a beautiful series of letterpress prints, which were inspired by the artists who shaped his approach. The series includes interpretations of Hieronymus Bosch, Lygia Clark, Maurits Cornelis Escher, Wassily Kandinsky, Stephen and Timothy Quay (Brothers Quay) and Bill Viola. The prints were produced by Keegan Meegan in Portland. Take a second, have a look, and buy a print for your mom.

Kim Rugg

Kim Rugg

There is craft, and then, there is CRAFT. Kim Rugg’s work is an exercise in the discipline of art, and her craft would be the envy of any designer. Take a look at the Cool Hunting video, where she explains her work.

Kim Rugg from Cool Hunting on Vimeo.

Mario Hugo

Mario Hugo

Mario Hugo’s portfolio is something to behold. Full of moody and intensive illustration, the work moves seamlessly from surrealism to modern typography. All of the work has an eccentric and unique voice. Via But Does It Float.

Dalek

DAELK

New work from one of our favorite, fine street artists, Dalek. Via WFDJ.

Morning Becomes Magical

NEW INDUSTRY ARTS

New Industry Arts delivers a curated collection of content that will knock your morning socks off. Sit back with your coffee and enjoy the good. Via QBN.

Hold Your Breath

Watch Guillaume Nery, world champion freediver, as he descends into blackness. The movie was filmed by Julie Gautier, who for the sake of authenticity, held her breath too. Music by ARCHIVE. Via Design is Kinky.

Solar Beat

Some beautifully looped beats for your Sunday morning coffee. Enjoy Luke Wyman’s White Vinyl.

Milton Glaser Design Study Center

School of Visual Arts Summer Session Poster

The Milton Glaser Design Study Center and Archives, a division of the Visual Arts Foundation, is dedicated to preserving and making accessible design works of significant artistic, cultural, and historical value by preeminent designers, illustrators, and art directors who have close ties to the School of Visual Arts.”

This is a great resource for design students and designers. Via FFFFound.

Josh Lerma

Josh Lerma

“My paintings often start with a very busy layer of drawings. Most of those come straight from idea notebooks that I still keep for sculpture and installation work…so nothing is thrown away. If I can’t afford to execute an idea, I can at least include it in a painting so it can exist. For me there is an arc and if you start getting too skilled it’s always good to introduce another thing or medium so it’s interesting.”

Take a look at the interview with Josh Lerma on Fecal Face.

I’m Lost

I don’t watch Lost, the ABC cross-dimensional roller coaster. I do, however, love to look at well-designed posters, and Ty Mattson’s Lost posters recall the work of Saul Bass, who single-handedly redefined the Hollywood formula and created a new genre of movie design. Mattson brings his unique style to Lost, about which everyone in my office is always talking, and the results are nothing less than screen-printed beauties.

Do Ty a favor and supplement your looking with a little buying. His posters are available in the ABC store.

3D Fractals

Take a look at the mandelbulb fractals that Tom Beddard is creating. The video is titled Radiolaria trench run on Vimeo.

Matt Leines

There is a new studio visit on Fecal Face with Matt Leines. He has this incredible, graphic aesthetic, which shows up in the geometry of his work.

Ed Fella

Ed Fella wins the award for best under construction message.

Tucker Nichols

I visited a lecture with Tucker Nichols at the California College of the Arts. Interesting and thought provoking talk.

Wildlyfe

WILDLYFE